Netflix Stats and Chill 2024

By | February 26, 2025

Alright, the new stats for the back half of 2024’s Netflix viewing came out this afternoon and it occurs that we somehow missed the stats for the first half of the year so I thought I’d just take a look at the stats for 2024 put together. Squid Game Season 2 topped the back half of 2024 with 619.9m hrs viewed in just the final week of the year, an effective viewership of 86.5m viewers (interestingly the first episode made Top 50 BARB in the UK, but none of the other ones did). It looks like Bridgerton Series 3 was the most watched TV show throughout the whole of last year with 907.1m hrs, an effective viewership of just shy of 112.9m viewers – effective viewership just being the amount of hours watched divided by the runtime – this doesn’t account for people who give up on a series or people who watch multiple times.

However what we’re interested in is 2024’s batch of unscripted. So let’s take a look shall we? Figures are date of release, hours, effective viewership across the year. I’ve sprinkled in some unscripted non-game stuff and of interest stuff as well for texture, but we’ll stick to English language versions of formats in the main unless a number looks particularly interesting. It’s just in date order as I work my way down the lists. Not all shows are available worldwide. Runs from 1st Jan 2024 to 31st Dec 2024.

The Trust Season 1: 10/1/24 52.2m hrs, 7.5m
Love is Blind Season 6: 14/2/24 316.3m hrs, 22.1m
Physical 100 Season 2: 19/3/24 135.0m hrs, 13.0m
Is It Cake S3: 29/3/24 70.7m hrs, 12.3m
The Circle S6: 17/4/24 53.2m hrs, 5.0m
Don’t Hate the Player/Mauvais Jouers S1: 17/4/24 13.9m hrs, 2.0m
Selling the OC S3: 3/5/24 39.1m hrs, 8.4m
The 8 Show: 17/5/24 110.0m, 15.8m
Buying London S1: 5/22/24 22.2m hrs, 5.3m
Agents of Mystery S1: 18/6/24 8.2m hrs, 1.8m
The Mole S2: 28/6/24 45.7m hrs, 5.9m
Too Hot To Handle S6: 19/7/24 101.1m hrs, 11.0m
The Influencer S1: 6/8/24 23.2m hrs, 3.1m
Love is Blind UK S1: 7/8/24, 141.8m hrs, 12.1m
KAOS: 29/8/24, 135.2m hrs, 20.3m
Outlast S2: 4/9/24, 49m hrs, 7.4m
Selling Sunset S8: 6/9/24 78.3m hrs, 12.2m
The Circle S7: 11/9/24, 39.1m hrs, 3.5m
Love is Blind S7: 2/10/24, 220.9m hrs, 14.4m
Culinary Class Wars S1: 17/9/24 227.9m hrs, 17.2m
Jake Paul vs Mike Tyson: 15/11/24 235.7m hrs, 48.9m
Zombieverse: New Blood: 19/11/24 8.9m hrs, 1.3m
Is It Cake? Holiday S1: 28/11/24 26.1m hrs, 9.7m
The Ultimatum: Marry or Move On S3: 69.7m hrs, 7.5m
The Two Christmas Gamedays (25/12/24) both did around 14.3m viewers

Phew, what do we learn from all that? Clearly the Netflix relationship/dating shows are still massively successful, somehow we’ve completely slept on Culinary Class Wars – massive numbers for that! It’s Cooking Physical 100, if we’d known that at the time we’d have watched it. Kaos, the Greek myth drama with Jeff Goldblum that we liked, got canned with 20m viewers effective. Harsh. The Mole US is low-mid tier reality successful. The Influencer and Agents of Mystery deserve more.

Looking at some previous shows we’ve enjoyed, The Devil’s Plan added another 16m taking its lifetime total up to 88.4m hours, 6.7m viewers (Series two coming soon), Squid Game: The Challenge added 45.3m to go up to 315.9m hrs to go up to a lifetime viewership of 38.7m. Streaming quiz sensation Cheat with Danny Dyer added another 0.5m hrs to go up to 8m hrs total. So there we are.

It’s Peter Serofinowicz’s Not Fortune Hotel

By | February 26, 2025

This looks like it might be quite fun, Million Dollar Secret coming to Netflix from March 23rd sees twelve people rock up at an estate, each one given a box – 11 are empty, one contains a million dollars which they can keep if they can keep it a secret. So far, so Fortune Hotel. Different is that there are challenges that, if completed, give away clues to the identity of the fortune holder (which they can sabotage), and there will be vote eliminations throughout, presumably the money gets reallocated if the holder of the million dollar box is eliminated. Trailer looks like lots of over-emoting Americans, but Serofinowicz under-cutting that by playing the host role amusingly seriously. Challenges look big scale.

My issue with ‘clues to an identity of a player’ formats is that you can never tell going in how well they’ve been calibrated – how well you do is only so much in your own hands, whether you win or lose is entirely down to how generous and cryptic (or not) the producers are and how satisfying (or not) a solve is. Still, though.

Prepare to leave your passport on a bus

By | February 25, 2025

In the latest example of the brand name doing a lot of heavy lifting, prepare yourselves for the Race Across The World Experience: London. Prepare to live out everyone’s favourite bit of the RATW format: the bit where they’re following instructions from their GPS device to get to the hotel. Will your relationships survive? Will you lose your passport on a bus? Will you have to work in a bar to earn a couple of quid?

The race takes participants on a 4-5 km mission through the capital, typically spanning 2-3 hours. Players will pass through key partner venues, including renowned pubs, cultural hotspots, or famous landmarks, each serving as a ‘checkpoint’ where teams must solve escape room-style puzzles. These puzzles will guide them toward the next leg of the race, offering clues that unveil new parts of the city, “all while providing a true taste of London’s hidden gems.” (Quote from Televisual)

It’s basically any citywide treasure hunt but possibly with higher production values. What it isn’t really is Race Across the World.

Half Right

By | February 22, 2025

I’ve had an message from Phil Stone who does Youtube quizzes who has a new format he’d like you to know about, a Bamboozle-esque experience called 50/Fifty Interactive Challenge. It’s probably not going to be winning awards for presentation any time soon, but I thought the experience was compelling enough to give it a shout-out – basically in each round you get a number of 50/50 questions – eight (easy) initially, then four (harder), then two and one final question, to progress to the next round you’ve just got to get half or more of the questions correct. Such is the limitations of Youtube that you’ve got to keep your own score and click on the relevant video at the end of the round to fail or continue, so basically you’re on your honour.

Doing This Sort Of Thing on Youtube is a pretty laborious and thankless task – you don’t even have the basic functions of a DVD player to keep score or anything really, as we saw with The AI Games last November, something as slick as that still required almost 30 separate videos and that was just for a game with effectively three questions in it – you have to think about “what does doing this using Youtube improve upon” if you want this sort of thing to blow up really.

Game Night’s Fifth Anniversary

By | February 18, 2025

Ooh, fun, keep Saturday 1st March free for a full day of live and interactive quizzing courtesy of Royal Flush and his fifth anniversary Game Night on Twitch that you’ll be able to play along with on your phone/second browser window. Normally his nights run from Saturdays from 8pm, this one’s from 10am going through to midnight (although my money’s on at least a two-hour overrun so bring snacks). There’s something for everyone (through accident or design, it looks the ones in dark blue seem to be the more hardcore formatty quizzes, the ones in green a bit lighter and chattier (Edit: I’ve just been told they’re “guest games” – and he has landed some proper celebs for some of these before), the turquoise ones are games that run automatically so Ben have a break presumably).

We’re normally about on a Saturday evening when we’re able, we will look forward to joining in with some of these. Five years of this sort of thing! Incredible.

Another things post

By | February 14, 2025

More Things! Shiny things! More! More!

  • Actually before the new things, an old thing you mind find interesting – the entirety of American Gladiators, the original 90s stuff and the Hulk Hogan one is now up on Amazon Prime. Big points!
  • Also Happy One Question Series Two day! We thought it would never happen, but here we are. You can read the original Show Discussion post from 2022, if you want.
  • Channel 4 have signed up to The Hunt, which sounds basically like Non-Celebrity Non-Bear Hunt! Actually it reminds us a bit more of a show from 2013 in the US called Capture, which had a Hunger Games vibe. Contestants hunt or are hunted in the woods, doing tasks to build a prize pot of up to £100,000, but with roles switching after getting caught. As Tantusar on my Discord suggested, “its just fuckin tag in the woods innit,” and really how could I possibly argue?
  • Channel 4 are also signing up to The Inheritance from the makers of C4 non-hit Rise and Fall Studio Lambert (and also The Traitors). 12 people get set tasks by The Deceased from videos “beyond the grave” to add money to a pot which they’ll have to decide between themselves who can be trusted with it. The Deceased set to be played by “a British icon” – sounds as if they’re going to go high camp for this, my money’s on a Joan Collins/Judi Dench type.
  • Alan Carr and Susie Dent – together at last! for a show also on Channel 4 attempting to find Britain’s Secret Genius which from the TV Zone description sounds a bit like The Piano, but for people who can do sudokus.