Remote Control

By | February 15, 2016

It’s quite possible you missed this, but there’s a full episode of Remote Control UK on Youtube (linked to and discussed here) – it is well worth a watch, for me one of the holy grails of shows that should be on Youtube.

MTV in the UK used to show the US version in the late eighties. I probably saw an advert for it when I was eight-or-so years old and I remember my Mum telling me I couldn’t watch it because it was “too rude” (I don’t know if she had ever watched it (she was well into music television at the time) but there’s plenty of the US show on Youtube and it’s PG at worst I’d suggest – it was a bit more of a TV quiz over there, but you can see them gradually including weirder questions as the show goes on) therefore for me there was always something slightly forbidden and exciting about it. So I was surprised as anything to be flicking through the channels in my bedroom one evening at six or half six and discover it on Channel 4 as, roughly, a 10 or 11 year old. I remember thinking Tony Wilson was quite scary and imposing (my only other real memory of him at the time was hosting post A-Levels advice show Which Way? every year), but crucially I also remember it having quite clever funny questions and it being a quiz but not being a boring quiz. And a scary-looking wheel. And people going behind a wall.

Now of course we have the benefit of 25 years hindsight, we have a better understanding that Tony Wilson is/was a legend and most of the comics who worked on it who went on to bigger and better things – Frank Sidebottom, Phil Cornwell – that episode featured Brenda Gilhooly (these days more of a writer but probably best known for Gayle Tuesday) AND pre-fame Sean Lock (in a non-speaking role in that particular episode, although he did warm-up as well apparently). Others featured John Thomson and Caroline Aherne who went on to do The Fast Show amongst other things. And doubtless there are others still!

But the biggest take home for me is that you can do have a decent quiz and not be boring. This is what I’ve always wanted in my quiz shows.

Could it work with Jimmy Carr today?

I’ve long championed Avanti un Altro! as a show that could be massive over here given the right sort of treatment. It is probably not a coincidence that I mention this in the same sentence as Remote Control, Paolo Bonolis fronted the Italian version of RC, Urka! and you can see connections in the DNA – regular comedy characters and question categories, it’s effectively a high-stakes general audience reversioning (that also does very well amongst the youth). We’re also terrified that a UK version could be terrible though.

Fingers crossed more Remote Control UK is going to turn up – it sounds like an episode starring Tremendous Knowledge Dave Rainford from Eggheads might be in the offing if we keep our fingers crossed.

Cash Trapped

By | February 13, 2016

Well there we were on Thursday evening doing our Valentine’s post (Love At First Sight in Dutch! Crazy.) thinking great, weekend basically off, then yesterday we had the exciting news that Schlag den Star is returning as a essentially rebranded full on live Schlag den Raab this time in April, and NOW I’ve been alerted that Glenn Hugill’s Possessed are looking for contestants for a pilot for a fluffy light-entertainment quizzy take on the Chilean mining disaster:

cashtrappedpromo

I’ve had to shrink this is a bit to fit but if you click on it you can get a slightly easier to read full sized version. Best of luck!

We’re trying to work out if this is an idea that’s been knocking about for a while, or at least I’m convinced I saw a promo ages ago for a quiz where you don’t get to leave unless you win, something like that.

Schlag den Star – LIVE!

By | February 12, 2016

Well now.

We thought Schlag den… was dead, but we were too quick – Elton will be hosting Schlag den Star LIVE on April 9th, two celebs will battle it out over 15 games to win €100,000 for charity.

Soooooo… I guess that means we’ll probably be back for live commentary and mucking about as well.

It’s Valentine’s Weekend!

By | February 11, 2016

I’ll be spending mine with the person I love most in the whole world, which is me, so can’t complain.

So here’s something outré, Liefde op het Eerste Gezicht, the Dutch version of Stephen Leahy’s 1990 Sky 1 dating sensation Love at First Sight with Bruno Brookes and Helen Bromby. Three guys and three girls question each other then pick who they’d like to go on a date with, if there’s a match they go on a date. This Dutch show doesn’t seem to have the bonus round our version had though.

That’s Yer (Pi)Lot: Scrabble

By | February 10, 2016

Blimey it’s been ages since I last did one of these, the best part of a year in fact.

Two pilots were recorded today, one in the afternoon and one in the evening. This write-up comes from the afternoon recording, there were large suggestions that this was still work in progress and they were still deciding things, also we’ll never know how it gets edited so please bear these things in mind when reading.

  • This is set for ITV afternoons from what I can gather.
  • So after Monday’s news it certainly raised an eyebrow when Jeff Stelling came out as the host. If both Scrabble and Alphabetical take off surely he won’t be hosting both? There may have been a different host this evening. Anyway Jeff was avuncular and professional throughout.
  • The set is minimalist but quite nice – the backdrop is a large videowall of various gradated shades of green with slightly darker line drawings of a large repeating diamond pattern. The stage is domianted by a giant LED (?) screen which shows the board at a slight incline. This looked really good on the studio monitors by the way, really pops out. In front of the board is a giant version of a tile rack, with seven screens to represent the tiles (you can’t really see these from the audience to be honest and you only really see it on screen when they do a wide shot). Host desk behind the board, team desks in the north-west and north-east corners.
  • This version of the show is played by two teams of two, a celeb and a civilian. Celebs this afternoon were Nina Wadia and Aled Jones. Civilian contestants seemed like normal reasonable people.
  • The show plays out like the traditional game you know and love with a few differences for telly. Both teams play from the same rack. Teams get 30 seconds to declare a word and start putting it on the board (they don’t have to finish within the time) using their touchscreens. Teams can challenge opponent’s words, forfeiting their go if they’re wrong (Jeff refers to the “Scrabble God” upstairs (in his ear) when this happens).
  • The biggest change is the bonus games. There are 14 special squares on the board, indicated with a picture. If your word uses a special square you get to play a bonus game for bonus points.
  • Some of these are quite good fun, such as What’s In A Name where you saw pictures of celebrities and had to use their initials to make the names of shops or whatever. Holey Vowels is like a Wheel of Fortune puzzle board with all the consonants removed. Word Worm was finding words in a small grid Trackword style, there was another one where you saw pictures and when you put them together they sound like something else, can you work out what they are? Each question in a bonus round is themed. Games repeat and you’re reminded of the rules each time, which struck me as being mildly annoying.
  • They’re also easy. Ridiculously easy. Each bonus game tasks the contestants to solve seven puzzles in 70 seconds and you can pass three times. Every bonus game was won, sometimes within 30 seconds, going to the wire basically once throughout. Each correct solve is worth five points, there is no bonus for completing (you’d think rounding it up to 50 would fit thematically, no?). Right now you might as well just award 35 points everytime someone crosses them.
  • While we’re having a moan, how come the contestant’s devices are less whizzy and useful than that of Challenge’s TV Scrabble fifteen years ago? Everyone seemed to be struggling to make things go where they needed to go.
  • Also the blanks should probably be filled for the audience at home for simplicity.
  • Teams initially get eight turns each, then a hooter goes off and it’s SPEED Scrabble, which is just like the regular turns except you only get twenty seconds to come up with a word and the points are doubled.
  • The problem here really is that it if the idea is to come across a bit more quickfire it certainly didn’t feel any speedier (perhaps they will cut quicker in the edit, dunno). One of the issues here is that the bonus games are still in play and unchanged (and undoubled) – if you’re going to keep the difficulty of these as is at this point, at least make them a bit more interesting. Double the points and halve the time maybe.
  • With one turn to go and the result basically in the bag for the winners, Stelling suddenly declared that the losers should still try because their points will get converted into pounds, which seemed to take everybody by surprise.
  • As an aside, today’s game started off quite dull with unfortunate tiles drawn, one team pulled ahead, the other caught up with good use of bonus squares then other team managed to pull away again with copious use of Qs. As proof of concept the bonus squares worked as an extra dimension to keep the game interesting today, although there’s every chance the winning team could be better with words AND dominate the bonus squares as well so you may still get 60 minute blow-outs.
  • The winner’s points are converted into cash and they will get the chance to win thousands extra playing Scrabble Scramble, and this is especially exciting as they get to stand at the south-west corner of the set to do so.
  • In Scrabble Scramble the team have two minutes to get from the centre to one of the triple word scores, earning money for each premium space used (Double letters are worth £50 (apart from some which are worth £500), triple letters £100, double words £500 and triple words £1,000). They do this by playing words onto the board as usual. If they don’t make it to a triple word in time they win nothing from Scrabble Scramble.
  • The best tactic is short words diagonally down, covering the £500 double words as far as possible. This makes the most money, unfortunately it’s a bit boring and feels rather lacking in finesse. Today’s winner was quite smart to get into a position where he had a letter that could end the game at any time and started racking up a bit of money doing the same tactic elsewhere.
  • Not only is this not very exciting but this was rather exacerbated by having to wrestle with the touchscreen and seemingly the game pausing after every word to be verified. I’m pretty sure my ZX Spectrum version was a bit more hi-octane.
  • Right now I struggle to see it fitting on ITV in honesty without putting rather more work in. Right now it doesn’t seem quite challenging or fun enough. You never know though.

The Alphabet Game

By | February 8, 2016

So this is quite interesting, there was a call out for contestants for this on UKGameshows.com last week (you’ve got to the end of the week to apply), today it’s been revealed that Jeff Stelling will be fronting a revival of Andrew O Connor’s  The Alphabet Game (originally on BBC daytime years ago) to be called Alphabetical for ITV Daytimes, 10×60′ (so sounds like a summer Chase replacement).

From Broadcast:

Taking elements of international versions of the original ITV Studios format, Alphabetical will be “less like the comedic parlour game” and take the form of a straight general knowledge quiz, with three contestants battling against each other for the chance to take on the returning champion.

i.e. it’s going to be more like Pasapalabra, the international version of the show with its famously tough endgame with its famously massively large rollover jackpots – over €2.1m at one point. It’s also going to have returning champions which is unusual these days.

 

The show is going to be made by Gameface Productions, part of Andrew O Connor’s ITV-owned indie group Cats on the Roof Media.

Edit: Probably worth acknowledging that it won’t necessarily be a straight adaption and it would be trivially easy to change things whilst being in keeping with the international format, probably won’t be getting multi-million pound jackpots just yet. It’s being sold on having lots of questions right now.